The Lonely Banjo: The Return of Joe
The day did not announce itself.
There was no music in the morning. No sudden change in the light. The skis remained still, as they always had. Dust lay quietly along Susannah’s rim.
But the house was different.
There was movement—purposeful movement. Chairs shifted. A surface was cleared. The man passed through the room more than usual, not distracted this time, but thinking.
Waiting.
Susannah had learned not to believe in waiting.
Waiting had once meant lessons. Then it had meant nothing at all.
Still, she listened.
Late in the afternoon, there came a sound she did not recognize.
A knock.
The man hesitated before answering it. Susannah could hear that hesitation in his footsteps—slower, heavier, like someone walking toward an old version of himself.
The door opened.
A voice followed.
“Hey… it’s been a long time.”
Joe.
The name settled into the room like a note that had been missing from a chord for years.
Susannah could not see the doorway, only the shifting shadows and the change in the air. But she knew that voice. Not perfectly—she remembered it through vibrations, through lessons, through the way it had once guided hands into music.
It sounded older now.
But steady.
There was laughter—slightly uncertain at first, then easier.
“Well… you still got it?” Joe asked.
“Not even close,” the man replied.
“Good,” Joe said. “Then we’ve got something to work with.”
Footsteps entered the room.
They paused.
Right in front of the corner.
For the first time in years, Susannah felt herself being seen by more than passing eyes. This was not a glance. This was recognition.
“Well I’ll be,” Joe said softly. “She’s still here.”
Still here.
Not forgotten. Not entirely.
Joe stepped closer. Susannah felt it in the faint shift of air, in the way the room seemed to narrow its attention.
“She’s been waiting,” Joe added, almost to himself.
Susannah resisted that word.
Waiting was dangerous.
But then something else happened.
A small metallic sound—the opening of a case, not hers. A rustle. A careful unwrapping.
“I brought something,” Joe said.
Strings.
Even before they were spoken aloud, Susannah knew.
Instruments know the language of possibility.
The man hesitated.
“I don’t know if—”
“You don’t,” Joe interrupted gently. “That’s the point.”
A pause.
Then, at last—
Hands.
Not passing this time.
Not accidental.
Hands that reached for her neck, steadier than before but still uncertain. She was lifted—awkwardly, carefully—out of the corner where she had learned to disappear.
The skis said nothing.
They never did.
Susannah felt the room from a new angle, light falling differently across her face. Dust shifted. Old wood woke slightly under the pressure of being held again.
Joe chuckled.
“Yeah,” he said. “We can work with this.”
Still, Susannah did not allow herself hope.
Hope was dangerous for instruments.
Hope led to closets.
But as Joe began loosening the old strings—one by one, with patient hands—and the first faint tension of something new touched her frame…
She listened.
Not for music.
Not yet.
Just for what might come next.
Posted in lonely-banjo by Geoff Stevens